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E04202: Prudentius, in his Latin Crowns of the Martyrs (Peristephanon), written c. 400 in Calahorra (northern Spain) in a poem on the martyrdom of *Hippolytus (martyr of Rome, S00509), tells of the condemnation of Hippolytus by the emperor, to be torn apart by wild horses at Ostia (the port of Rome). His body is torn apart and parts of it are scattered all over the place of martyrdom. The faithful gather them together, take them to Rome, and bury them there. There is a painting in the place of burial of Hippolytus showing the scene of martyrdom and the gathering up of the body.
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posted on 2017-10-23, 00:00 authored by mszadaLiber Peristephanon, Poem XI.119-152
Scissa minutatim labefacto corpore frusta
120 carpit spinigeris stirpibus hirtus ager.
Pars summis pendet scopulis, pars sentibus haeret,
parte rubent frondes, parte madescit humus.
Exemplar sceleris paries habet inlitus, in quo
multicolor fucus digerit omne nefas,
125 picta super tumulum species liquidis uiget umbris
effigians tracti membra cruenta uiri.
Rorantes saxorum apices uidi, optime papa,
purpureasque notas uepribus inpositas.
Docta manus uirides imitando effingere dumos
130 luserat et minio russeolam saniem.
Cernere erat ruptis conpagibus ordine nullo
membra per incertos sparsa iacere situs.
Addiderat caros gressu lacrimisque sequentes,
deuia quo fractum semita monstrat iter.
135 Maerore attoniti atque oculis rimantibus ibant
inplebantque sinus uisceribus laceris.
Ille caput niueum conplectitur ac reuerendam
canitiem molli confouet in gremio;
hic umeros truncasque manus et bracchia et ulnas
140 et genua et crurum fragmina nuda legit.
Palliolis etiam bibulae siccantur harenae,
ne quis in infecto puluere ros maneat.
Si quis et in sudibus recalenti aspergine sanguis
insidet, hunc omnem spongia pressa rapit.
145 Nec iam densa sacro quidquam de corpore silua
obtinet aut plenis fraudat ab exequiis.
Cumque recensetis constaret partibus ille
corporis integri qui fuerat numerus,
nec purgata aliquid deberent auia toto
150 ex homine extersis frondibus et scopulis,
metando eligitur tumulo locus; ostia linquunt,
Roma placet, sanctos quae teneat cineres.
'The body is shattered, the thorny shrubs which bristle on the ground cut and tear it to little bits. Some of it hangs from the top of rocks, some sticks to bushes, with some the branches are reddened, with some the earth is wet. There is a picture of the outrage painted on a wall, showing in many colours the wicked deed in all its details; above the tomb is depicted a lively likeness, portraying in clear semblance Hippolytus' bleeding body as he was dragged along. (127) I saw the tips of rocks dripping, most excellent Father, and scarlet stains imprinted on the briers, where a hand that was skilled in portraying green bushes had also figured the red blood in vermilion. One could see the parts torn asunder and lying scattered in disorder up and down at random. The artist had painted too his loving people walking after him in tears wherever the inconstant track showed his zig-zag course. (135) Stunned with grief, they were searching with their eyes as they went, and gathering the mangled flesh in their bosoms. One clasps the snowy head, cherishing the venerable white hair on his loving breast, while another picks up the shoulders, the severed hands, arms, elbows, knees, bare fragments of legs. With their garments also they wipe dry the soaking sand, so that no drop shall remain to dye the dust; and wherever blood adheres to the spikes on which its warm spray fell, they press a sponge on it and carry it all away. (145) Now the thick wood held no longer any part of the sacred body, nor cheated it of a full burial. The parts were reviewed and found to make the number belonging to the unmutilated body; the pathless ground being cleared, and the boughs and rocks wiped dry, had nothing of the whole man still to give up; and now a site was chosen on which to set a tomb. They left the river-mouth, for Rome found favour with them as the place to keep the holy remains.'
For a description of the burial site see $E04212.
Text: Cunningham 1966, 374-375. Translation: Thomson 1953, 313-315.
Scissa minutatim labefacto corpore frusta
120 carpit spinigeris stirpibus hirtus ager.
Pars summis pendet scopulis, pars sentibus haeret,
parte rubent frondes, parte madescit humus.
Exemplar sceleris paries habet inlitus, in quo
multicolor fucus digerit omne nefas,
125 picta super tumulum species liquidis uiget umbris
effigians tracti membra cruenta uiri.
Rorantes saxorum apices uidi, optime papa,
purpureasque notas uepribus inpositas.
Docta manus uirides imitando effingere dumos
130 luserat et minio russeolam saniem.
Cernere erat ruptis conpagibus ordine nullo
membra per incertos sparsa iacere situs.
Addiderat caros gressu lacrimisque sequentes,
deuia quo fractum semita monstrat iter.
135 Maerore attoniti atque oculis rimantibus ibant
inplebantque sinus uisceribus laceris.
Ille caput niueum conplectitur ac reuerendam
canitiem molli confouet in gremio;
hic umeros truncasque manus et bracchia et ulnas
140 et genua et crurum fragmina nuda legit.
Palliolis etiam bibulae siccantur harenae,
ne quis in infecto puluere ros maneat.
Si quis et in sudibus recalenti aspergine sanguis
insidet, hunc omnem spongia pressa rapit.
145 Nec iam densa sacro quidquam de corpore silua
obtinet aut plenis fraudat ab exequiis.
Cumque recensetis constaret partibus ille
corporis integri qui fuerat numerus,
nec purgata aliquid deberent auia toto
150 ex homine extersis frondibus et scopulis,
metando eligitur tumulo locus; ostia linquunt,
Roma placet, sanctos quae teneat cineres.
'The body is shattered, the thorny shrubs which bristle on the ground cut and tear it to little bits. Some of it hangs from the top of rocks, some sticks to bushes, with some the branches are reddened, with some the earth is wet. There is a picture of the outrage painted on a wall, showing in many colours the wicked deed in all its details; above the tomb is depicted a lively likeness, portraying in clear semblance Hippolytus' bleeding body as he was dragged along. (127) I saw the tips of rocks dripping, most excellent Father, and scarlet stains imprinted on the briers, where a hand that was skilled in portraying green bushes had also figured the red blood in vermilion. One could see the parts torn asunder and lying scattered in disorder up and down at random. The artist had painted too his loving people walking after him in tears wherever the inconstant track showed his zig-zag course. (135) Stunned with grief, they were searching with their eyes as they went, and gathering the mangled flesh in their bosoms. One clasps the snowy head, cherishing the venerable white hair on his loving breast, while another picks up the shoulders, the severed hands, arms, elbows, knees, bare fragments of legs. With their garments also they wipe dry the soaking sand, so that no drop shall remain to dye the dust; and wherever blood adheres to the spikes on which its warm spray fell, they press a sponge on it and carry it all away. (145) Now the thick wood held no longer any part of the sacred body, nor cheated it of a full burial. The parts were reviewed and found to make the number belonging to the unmutilated body; the pathless ground being cleared, and the boughs and rocks wiped dry, had nothing of the whole man still to give up; and now a site was chosen on which to set a tomb. They left the river-mouth, for Rome found favour with them as the place to keep the holy remains.'
For a description of the burial site see $E04212.
Text: Cunningham 1966, 374-375. Translation: Thomson 1953, 313-315.
History
Evidence ID
E04202Saint Name
Hippolytus, martyr of Rome : S00509Related Saint Records
Type of Evidence
Literary - Poems Literary - Hagiographical - Accounts of martyrdomLanguage
- Latin
Evidence not before
395Evidence not after
405Activity not before
235Activity not after
410Place of Evidence - Region
Iberian PeninsulaPlace of Evidence - City, village, etc
CalahorraPlace of evidence - City name in other Language(s)
Calahorra Osset Osset Osen (castrum) Osser castrumMajor author/Major anonymous work
PrudentiusCult activities - Places
Burial site of a saint - tomb/graveCult activities - Use of Images
- Descriptions of images of saints